By listening to your story my story can change – broadside by Anonymous

C$15.00

Letterpress broadside printed by Whisky Jack Letterpress. Set in 24 pt Skyline Type Foundry Sans Serif Light and 12 line Gothic wood type. Feather linocut by Monica Kidd. Handmade & printed in Canada.

Dimensions: 8.5″ x 11″ (21.6 cm x 27.9 cm)

This broadside is for you if enjoy the beauty of the printed word and the interplay between poetry, art and print design.

Only 1 left in stock

Gift Wrap Design

pine/gold (C$2.50)

  • A gift wrapped in green tissue paper stamped with yellow Young W monograms. The gift is packaged with a yellow ribbon and gift tag. The gift tag reads: "To: Charlotte. From: Louise".
  • A gift wrapped in green tissue paper stamped with pink Young W monograms. The gift is packaged with a pink ribbon and gift tag. The gift tag reads: "To: Wilhelm. From: Daniel".

Gift Wrap Design

pine/gold (C$2.50)

  • A gift wrapped in green tissue paper stamped with yellow Young W monograms. The gift is packaged with a yellow ribbon and gift tag. The gift tag reads: "To: Charlotte. From: Louise".
  • A gift wrapped in green tissue paper stamped with pink Young W monograms. The gift is packaged with a pink ribbon and gift tag. The gift tag reads: "To: Wilhelm. From: Daniel".
Remaining/Maximum Characters: 100/100

This broadside is part of the series ‘Giving A Shit, Vol. I’ created by Calgary, AB/St.John’s, NL, letterpress studio Whisky Jack Letterpress, which is run by poet Monica Kidd. She created this series of letterpress broadsides in 2017 to feature, in her words, “original and unpublished poetry, prose or other brief statements on giving a shit — on the value of making things, making community, stopping to care, growing vegetables, why art matters, whatever. […] Each came from someone who made the time to record an idea about why things matter. Each inspired in me a response, and while I have never claimed to be able to predict the outcome of my work, each has a kind of loveliness, and invites a kind of pause.”

(Photo credit: Dahlia Katz)

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